Worship, Theology and the Arts: A Syllabus

The following is a portion of the syllabus for the course that I teach at Fuller Seminary on worship, theology and the arts. It's the introductory course for students who wish to dive a little more deeply into this interdisciplinary field; many of the students, in point of face, will be connected to the interests of the Brehm Center in some fashion. As with all courses of this nature, so many possible resources are left on the cutting room floor. It's a shame, really. The hope of course is that the next time around you'll be able to mix and match a different set of readings. So that's a grace, at least. For now, I'm excited to take students through this material and to see what we discover together.

WORSHIP, THEOLOGY, AND THE ARTS:
THE TOUCHSTONE COURSE

COURSE DESCRIPTION
This course is the introductory course for all students entering Worship, Theology, and the Arts (WTA) concentrations at the masterā€™s level. This course introduces the students to a methodology that will undergird their theological study of both Christian worship and the arts. That methodology involves the exegesis of ā€œworks of artā€ both within the context of the church and the context of the public square. Beginning with the question of terms and starting points for such a complex topic, this course explores each subject in turn: 1) worship and the arts; 2) theology and the arts; 3) the arts and aesthetics; 4) the arts and the vocation of artists; 5) the exegesis of works of art; and 6) the mission of the church in light of the study of worship, theology and the arts.

LEARNING OUTCOMES
A student successfully completing this course will (1) be able to articulate a clear understanding of worship, theology and the arts; (2) obtain the beginning of a biblical, historical and contemporary perspective on worship, theology and the arts; (3) discern the ways in which context orients our understanding of worship, theology and the arts; (4) demonstrate an understanding of the courseā€™s hermeneutical model; and (5) complete an in-depth application of this hermeneutic model to one particular artistic expression or element of Christian worship in a specific cultural context.

COURSE OUTLINE


Ā·       Walter Brueggemann, From Whom No Secrets Are Hid, ch. 2, ā€œThe Counter-World of the Psalmsā€
Ā·       Eugene Peterson, Answering God (chs. 4 + 6)
Ā·       David Taylor, Honest to God, ā€œPsalms of Lamentā€ (ch. 7)
Ā·       John Witvliet The Biblical Psalms in Christian Worship: A Brief Introduction & Guide to Resources, pp. 3-44.
Ā·       Selections to be read in class: from Ann Weems, Psalms of Lament; Laurance Wieder, Words to Godā€™s Music; Jim Cotter, Psalms for a Pilgrim; Nicholas Samaras, American Psalm, World Psalm.


Ā·       Constance Cherry, The Worship Architect, chs. 1-2  
Ā·       Ruth Duck, Worship for the Whole People of God, ch. 1
Ā·       James Torrance, Worship, Community and the Triune God of Grace, Intro + chs. 1-2  


Ā·       Andy Crouch, Culture Making, chs. 1 + 4  
Ā·       Robert K. Johnston, Godā€™s Wider Presence, ch. 4, ā€œBroadening Our Biblical Focus: Part 1ā€
Ā·       Taylor, The Theater of Godā€™s Glory, chs. 2, 4-5  
Ā·       Kathryn Tanner, Theories of Culture: A New Agenda for Theology, pp. 25-29  


Ā·       Begbie, Jeremy, ed. Beholding the Glory: Incarnation Through the Arts. [150 pp]


Ā·       ā€œ8 Characteristics of a Work of Artā€ (Taylor handout)
Ā·       Jeremy S. Begbie, Voicing Creationā€™s Praise: Towards a Theology of the Arts (Edinburgh: T&T Clark, 1991), 233-255, ā€œArt & Metaphorā€
Ā·       Kutter Callaway with Dean Batali, Watching TV Religiously: Television and Theology in Dialogue, ch. 1, ā€œThe Pilot Episode: What is TV?ā€  
Ā·       Todd E. Johnson, ā€œLiturgy: Too Deep for Wordsā€  
Ā·       George Lakoff and Mark Johnson, Metaphors We Live By, chs. 1-5
Ā·       Jeannette Winterson, ā€œWhat is Art For?ā€ In The World Split Open: Great Authors on How and Why We Write (Portland, OR: Tin House Books, 2014), 173-188


Ā·       Steven Guthrie, ā€œTemples of the Spirit: Worship as Embodied Performance,ā€ in Faithful Performances
Ā·       James K. A. Smith, Imagining the Kingdom: How Worship Works, ch. 1  
Ā·       Taylor, The Theater of Godā€™s Glory, chs. 6-7  


Ā·       James K. A. Smith, Imagining the Kingdom: How Worship Works, ch. 3, pp. 103-124, ā€œWe Tell Ourselves Stories in Order to Liveā€  
Ā·       Trevor Hart, Making Good: Creation, Creativity, and Artistry, ch. 2, ā€œCreation, Imagination, and Artistryā€  
Ā·       Makoto Fujimura, Culture Care, ch. 19, ā€œWhat If?ā€  
Ā·       Mary Shelley, ā€œThe Genesis of Frankenstein,ā€ in Creators on Creation: Awakening and Cultivating the Imaginative Mind, ch. 13  
Ā·       Taylor, ā€œ12 Features of a Scriptural Imagination,ā€ in Comment magazine  
Ā·       J. K. Rowling, Very Good Lives: The Fringe Benefits of Failure and the Importance of Imagination
                                               

Ā·       Eleonora Belfiore and Oliver Bennett, The Social Impact of the Arts: An Intellectual History, ch. 3, ā€œCatharsisā€
Ā·       Jenefer Robinson, ā€œThe Emotions in Art,ā€ in The Blackwell Guide to Aesthetics  
Ā·       James K. A. Smith, Imagining the Kingdom: How Worship Works, ch. 3, pp. 124-150, ā€œWe Tell Ourselves Stories in Order to Liveā€   
Ā·       From Image Journal, issue #93, ā€œThe Film the World Needs Now: A Roundtable Discussionā€  
Ā·       Watch TED talk, ā€œRSA ANIMATE: The Divided Brainā€ via psychiatrist Iain McGilchristā€™s book, The Master and his Emissary  


Ā·       Taylor, For the Beauty of the Church, ch. 5, ā€œThe Artistā€ (Nicolosi)
Ā·       Taylor, For the Beauty of the Church, ch. 6,  ā€œThe Practitionerā€ (Banner)
Ā·       Excerpts from Manjula Martin, Scratch: Writers, Money, and the Art of Making a Living (New York: Simon & Schuster, 2017):

-       ā€œSelling Out: Austin Kleon in conversation with Manjula Martinā€
-       ā€œA Sort of Fairy Tale: Malindo Loā€
-       ā€œGrowing Up: Nick Hornby in conversation with Manjula Martinā€

Ā·       Artists of faith reflecting on their faith and their craft via Mystery and Manners [14 pp] and Shouts and Whispers:

-       Flannery Oā€™Connor, ā€œNovelist and Believerā€  
-       Frederick Buechner, ā€œThe Eyes of the Heartā€
-       Elizabeth Dewberry, ā€œWriting as an Act of Worshipā€
-       ā€œPaul Schrader: An Interview with Gary Willsā€
-       Jan Karon, ā€œThe Miracle and the Mythā€
-       ā€œJoy Kogawa: An Interview by Henry Baronā€
-       Betty Smartt Carter, ā€œTired of Victory, Bored by Defeat: Restoring Proper Sadness to Christian Artā€
                                               

Ā·       William A. Dyrness, Poetic Theology: God and the Poetics of Everyday Life, ch. 9, ā€œAesthetics and Social Transformationā€  
Ā·       I-to Loh, ā€œWays of Contextualizing Church Music: Some Asian Examples,ā€ in Worship and Mission For the Global Church: An Ethnodoxology Handbook  
Ā·       Ruth Meyers, Missional Worship, Worshipful Mission: Gathering as Godā€™s People, Going Out in Godā€™s Name, pp. 29-45, ā€œImagining Missional Worshipā€  
Ā·       Lesslie Newbigin, Foolishness to the Greeks: The Gospel and Western Culture, ch. 6, ā€œWhat Must We Be? The Call to the Churchā€  
Ā·       Taylor, For the Beauty of the Church (ch. 8): ā€œLooking to the Future: A Hopeful Subversionā€ (Begbie)  
Ā·       ā€œThe Nairobi Statement on Worship and Culture,ā€ in Worship and Culture: Foreign Country or Homeland?, ed. By GlĆ”ucia Vasconcelos Wilkey


Carmen de Lavallade and Alvin Ailey at the Jacobā€™s Pillow (Credit John Lindquist/Harvard Theater)

Comments

Unknown saidā€¦
Hi!! I love this Syllabus. Would it be possible to audit this course?
w. david o. taylor saidā€¦
Unfortunately, no, but thanks for your enthusiasm for the course!

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