Worship, Theology and the Arts: A Syllabus
The following is a portion of the syllabus for the course that I teach at Fuller Seminary on worship, theology and the arts. It's the introductory course for students who wish to dive a little more deeply into this interdisciplinary field; many of the students, in point of face, will be connected to the interests of the Brehm Center in some fashion. As with all courses of this nature, so many possible resources are left on the cutting room floor. It's a shame, really. The hope of course is that the next time around you'll be able to mix and match a different set of readings. So that's a grace, at least. For now, I'm excited to take students through this material and to see what we discover together.
WORSHIP, THEOLOGY, AND THE ARTS:
THE TOUCHSTONE COURSE
COURSE DESCRIPTION
This course
is the introductory course for all students entering Worship, Theology, and the
Arts (WTA) concentrations at the masterās level. This course introduces the
students to a methodology that will undergird their
theological study of both Christian worship and the arts. That methodology
involves the exegesis of āworks of artā both within the context of
the church and the context of the public square. Beginning with the question of terms and starting points for such a
complex topic, this course explores each subject in turn: 1) worship and the
arts; 2) theology and the arts; 3) the arts and aesthetics; 4) the arts and the
vocation of artists; 5) the exegesis of works of art; and 6) the mission of the
church in light of the study of worship, theology and the arts.
LEARNING OUTCOMES
A student
successfully completing this course will (1) be able to articulate a clear
understanding of worship, theology and the arts; (2) obtain the beginning of a
biblical, historical and contemporary perspective on worship, theology and the
arts; (3) discern the ways in which context orients our understanding of
worship, theology and the arts; (4) demonstrate an understanding of the
courseās hermeneutical model; and (5) complete an in-depth application of this
hermeneutic model to one particular artistic expression or element of Christian
worship in a specific cultural context.
COURSE OUTLINE
Ā· Walter Brueggemann, From Whom No Secrets Are Hid, ch. 2,
āThe Counter-World of the Psalmsā
Ā· Eugene Peterson, Answering God (chs. 4 + 6)
Ā· David Taylor, Honest to God, āPsalms of Lamentā (ch. 7)
Ā· John Witvliet The Biblical Psalms in Christian Worship: A Brief Introduction &
Guide to Resources, pp. 3-44.
Ā· Selections to be read in class: from
Ann Weems, Psalms of Lament; Laurance
Wieder, Words to Godās Music; Jim
Cotter, Psalms for a Pilgrim; Nicholas
Samaras, American Psalm, World Psalm.
WEEK 2: Theme: The Meanings of Worship.
Ā· Constance Cherry, The Worship Architect, chs. 1-2
Ā· Ruth Duck, Worship for the Whole People of God, ch. 1
Ā· James Torrance, Worship, Community and the Triune God of Grace, Intro + chs. 1-2
Ā· Andy Crouch, Culture Making, chs. 1 + 4
Ā· Robert K. Johnston, Godās Wider Presence, ch. 4, āBroadening
Our Biblical Focus: Part 1ā
Ā· Taylor, The Theater of Godās Glory, chs. 2, 4-5
Ā· Kathryn Tanner, Theories of Culture: A New Agenda for Theology, pp. 25-29
Ā· Begbie, Jeremy, ed. Beholding the Glory: Incarnation Through the
Arts. [150 pp]
Ā· ā8 Characteristics of a Work of Artā
(Taylor handout)
Ā· Jeremy S. Begbie, Voicing Creationās Praise: Towards a
Theology of the Arts (Edinburgh: T&T Clark, 1991), 233-255, āArt &
Metaphorā
Ā· Kutter Callaway with Dean Batali, Watching TV Religiously: Television and
Theology in Dialogue, ch. 1, āThe Pilot Episode: What is TV?ā
Ā· Todd E. Johnson, āLiturgy: Too Deep
for Wordsā
Ā· George Lakoff and Mark Johnson, Metaphors We Live By, chs. 1-5
Ā· Jeannette Winterson, āWhat is Art
For?ā In The World Split Open: Great
Authors on How and Why We Write (Portland, OR: Tin House Books, 2014),
173-188
WEEK 6: Theme: Art and the Physical.
Ā· Steven Guthrie, āTemples of the
Spirit: Worship as Embodied Performance,ā in Faithful Performances
Ā· James K. A. Smith, Imagining the Kingdom: How Worship Works, ch.
1
Ā· Taylor, The Theater of Godās Glory, chs. 6-7
WEEK 7: Theme: Art and the Imagination.
Ā· James K. A. Smith, Imagining the Kingdom: How Worship Works, ch.
3, pp. 103-124, āWe Tell Ourselves Stories in Order to Liveā
Ā· Trevor Hart, Making Good: Creation, Creativity, and Artistry, ch. 2, āCreation,
Imagination, and Artistryā
Ā· Makoto Fujimura, Culture Care, ch. 19, āWhat If?ā
Ā· Mary Shelley, āThe Genesis of
Frankenstein,ā in Creators on Creation:
Awakening and Cultivating the Imaginative Mind, ch. 13
Ā· Taylor, ā12 Features of a Scriptural
Imagination,ā in Comment magazine
Ā· J. K. Rowling, Very Good Lives: The Fringe Benefits of Failure and the Importance of
Imagination
WEEK 8: Theme: Art and the Emotions.
Ā· Eleonora Belfiore and Oliver
Bennett, The Social Impact of the Arts:
An Intellectual History, ch. 3, āCatharsisā
Ā· Jenefer Robinson, āThe Emotions in
Art,ā in The Blackwell Guide to
Aesthetics
Ā· James K. A. Smith, Imagining the Kingdom: How Worship Works, ch.
3, pp. 124-150, āWe Tell Ourselves Stories in Order to Liveā
Ā· From Image Journal, issue #93, āThe Film the World Needs Now: A
Roundtable Discussionā
Ā· Watch TED talk, āRSA ANIMATE: The
Divided Brainā via psychiatrist Iain McGilchristās book, The Master and his Emissary
WEEK 9: Theme: The Vocation of Artists.
Ā· Taylor, For the Beauty of the Church, ch. 5, āThe Artistā (Nicolosi)
Ā· Taylor, For the Beauty of the Church, ch. 6, āThe Practitionerā (Banner)
Ā· Excerpts from Manjula Martin, Scratch: Writers, Money, and the Art of
Making a Living (New York: Simon & Schuster, 2017):
- āSelling Out: Austin Kleon in conversation
with Manjula Martinā
- āA Sort of Fairy Tale: Malindo Loā
- āGrowing Up: Nick Hornby in
conversation with Manjula Martinā
Ā· Artists of faith reflecting on their
faith and their craft via Mystery and
Manners [14 pp] and Shouts and
Whispers:
- Flannery OāConnor, āNovelist and
Believerā
- Frederick Buechner, āThe Eyes of the
Heartā
- Elizabeth Dewberry, āWriting as an
Act of Worshipā
- āPaul Schrader: An Interview with
Gary Willsā
- Jan Karon, āThe Miracle and the Mythā
- āJoy Kogawa: An Interview by Henry
Baronā
-
Betty
Smartt Carter, āTired of Victory, Bored by Defeat: Restoring Proper Sadness to
Christian Artā
Ā· William A. Dyrness, Poetic Theology: God and the Poetics of Everyday
Life, ch. 9, āAesthetics and Social Transformationā
Ā· I-to Loh, āWays of Contextualizing
Church Music: Some Asian Examples,ā in Worship
and Mission For the Global Church: An Ethnodoxology Handbook
Ā· Ruth Meyers, Missional Worship, Worshipful Mission: Gathering as Godās People, Going
Out in Godās Name, pp. 29-45, āImagining Missional Worshipā
Ā· Lesslie Newbigin, Foolishness to the Greeks: The Gospel and
Western Culture, ch. 6, āWhat Must We Be? The Call to the Churchā
Ā· Taylor, For the Beauty of the Church (ch. 8): āLooking to the Future: A
Hopeful Subversionā (Begbie)
Ā· āThe Nairobi Statement on Worship
and Culture,ā in Worship and Culture:
Foreign Country or Homeland?, ed. By GlƔucia Vasconcelos Wilkey
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