A sermon on Wesley's hymn "Come, Thou Long Expected Jesus"
In 2007, the preaching team at Hope Chapel devoted four Sundays in December to exegeting the common hymns of Advent and Christmas. It was one of the most satisfying preaching series that we ever engaged during the years that I served as a pastor there. If you have the chance, I earnestly encourage you to provide your communities with a deeper understanding of the songs which we sing during this season. It's a great way to recover some of the poetically and theologically sharp edges that often get lost in the routinized cycle of music that occurs year to year. It's also perhaps a way to open up opportunities for more enthusiastic congregational singing.
Here is the outline to sermon I gave on Charles Wesley's hymn, "Come, Thou Long Expected Jesus."
A Bio Note on Charles Wesley (1707-1788)
Charles has
been nicknamed “the spiritual librettist of the Methodist revival” and “the
Psalmist of the First Great Awakening.”
He is known (or perhaps not known) famously for such hymns as:
- "And
Can It Be That I Should Gain?"
- "Christ
the Lord Is Risen Today"
- "Come,
Thou Long-Expected Jesus"
- "Hark!
the Herald Angels Sing"
- "Jesus,
Lover of My Soul"
- "Lo!
He Comes with Clouds Descending"
- "Love
Divine, All Loves Excelling"
- "O
for a Thousand Tongues to Sing"
A few facts
about the poet-theologian:
-
Attended
Oxford. Studied Latin and Greek as well
as the classics of literature. It was
there that he, along with John, his brother, and George Whitefield, formed the
Holy Club. The Club’s disciplined
approach to Bible study, worship, and visitation of the sick and imprisoned
along with frequent observance of Holy Communion, led to the members being
labeled the “Methodists.”
-
Ordained to
the priesthood in 1735, but not till 1738 did he experience a conversion of the
heart.
-
Traveled to
the Georgian colony as missionary to the Native Indians and chaplain to the
colonists.
-
Married
Sarah Gwynne in 1749. 3 out of 8 their
children survived infancy.
-
He was a
good friend of William Law and Count Zinzendorf and became an instrumental
figure (no pun intended) in the First Great Awakening.
-
He wrote
over 6,500 hymns and put to paper more poems than Robert Browning and William
Wordsworth combined. His mother
Susanna’s influence upon him was considerable, as she read to the kids from the
psalms daily. We can also see the
influence of John Milton’s Paradise Lost
upon his hymn writing.
-
On his
tombstone are inscribed the following words:
As a preacher
He was eminent for ability, zeal,
and usefulness,
Being learned without pride,
And pious without ostentation.
The sincere, diffident Christian,
A son of Consolation,
But to the vainboaster, the
hypocrite, and the profane,
A son of Thunder.
Distinctives of his Hymnody
Charles
Wesley’s hymns are marked by a comprehensive knowledge of Scripture. One scholar describes it this way:
“Methodist
admirers of the Wesleys have sometimes taken solace in the notion that if one
day the Bible should disappear, its text could nearly be completely
reconstructed based on the Wesleyian deposit of hymns alone.”
There is
hardly any aspect of Christian theology that is not covered in his hymnody:
creation, law, redemption, faith, repentance, prayer, Holy Communion, death,
judgment, heaven, hell, the Church, mission, service, the Holy Spirit. Christian doctrine comes alive in his songs.
One humorous
note is that Charles was often accused of a “worm theology.” Apparently he made use of too many references
to being a worm. For instance:
“that only name to sinners given,
which lifts poor dying worms to heaven”
But mostly Charles
Wesley can be understood best as a hymnodist in light of his training and his
passion. He was trained at Oxford
University; his passion was the affective experience of Christ. He was shaped by the environment the Anglican
Church; he was transformed by his spiritual conversion at age of 31. He was both a careful thinker and a deeply emotional
poet.
So on the
one hand, John Wesley, who thought his brother a little too emotional, too
prone to “amorous terminology” (as per “Jesus, Lover of my Soul”), nonetheless
had this to say about his brother’s hymns:
“In
these hymns there is no doggerel, no botches, nothing put in to patch up the
rhyme. . . . Here are no words without meaning . . . Here are both the purity,
the strength, and the elegance of the English language—and at the same time the
utmost simplicity and plainness, suited to every capacity.”
Charles
Wesley was a consummate craftsman, daily honing his craft.
As to his
emotional personality, here is a amusing anecdote given by Henry Moore, a close
friend of the Wesley family:
“When
at the University, in early youth, [John] was alarmed whenever [Charles]
entered his study. Aut insanity homo, aut versus facit [The man is mad, or making
verses]. Full of the muse, and being
short-sighted, he would sometimes walk right against his brother’s table, and,
perhaps, overthrow it. If the “fine
phrenzy” was not quite so high, he would decompose the books and papers in the
study, ask some questions without always waiting for a reply, repeat some
poetry that just then struck him, and at length leave his brother. . . .”
So Charles
is the man of Christian doctrine and
the expressive artist.
“To
the free spirit he brought biblical and theological order. To the liturgical tradition he brought . . .
a ‘dancing heart’.” (Crichton Mitchell, Man
With the Dancing Heart, 9).
A theologian
with a dancing heart.
Charles, in
this way, exhibits a distinctly objective and subjective approach to the
Christian life and we observe this trait clearly in his Christmas hymn, “Come,
Thou Long Expected Jesus.”
born to set thy people free;
from our fears and sins release us,
let us find our rest in thee.
Israel's strength and consolation,
hope of all the earth thou art;
dear desire of every nation,
joy of every longing heart.
Born thy people to deliver,
born a child and yet a King,
born to reign in us forever,
now thy gracious kingdom bring.
By thine own eternal Spirit
rule in all our hearts alone;
by thine all sufficient merit,
raise us to thy glorious throne.
This carol
is a sung declaration of the person and work of Jesus Christ in both their
subjective and objective dimensions.
A comment about the poetry.
In the first
verse, the meter is A-B-B-C. The thought pattern works this way:
-
Petition—declaration—declaration—result.
-
To the Jews—to
the Gentiles—to the Gentiles—to every person.
In verse 1 Wesley highlights our subjective
experience of Christ’s redemption.
Here we experience our own:
-
freedom
-
rest
-
strength
-
consolation
-
hope
-
joy
In verse 2,
Wesley draws our attention to the
objective work of Christ, specifically the Lordship of Christ.
-
He is born
to deliver
-
He is born a
child and king
-
He is born
to reign in us
-
He brings
his gracious kingdom
-
He rules in
all our hearts by the Holy Spirit
-
He raises us
to his glorious throne through his sufficient merit
He is in sum:
-
Messiah
-
Pauper-prince
-
“Christ in
us”
-
The wise King
-
The Governor
of human hearts
-
The
crucified and resurrected Savior
-
The
Sovereign of the universe
In the
second half of verse 2 we also encounter a summary, as it were, of the doctrine
of salvation:
- Sanctification: “by thine own eternal
Spirit, rule in all our hearts alone”
- Justification: “by thine all sufficient
merit”
- Glorification: “raise us to thy glorious
throne”
Charles is a
theologian and poet, thinker and feeler, teacher and worshiper. And the key theme that he draws our attention
to in this hymn is that of longing.
The Idea of Longing
The hymn
begins will the key imperative verb, “Come.”
You and I have been given a considerable power, the power to say “come” and the
power to say “don’t come,” the power to say yes and to say no, to believe or not
to believe. Wesley enjoins us to say
“Come” once again: Come, thou long-expected Jesus.
Jesus is the longing of the earth and he is
the longing of every human heart.
- The Longing of all the earth
Hope of all the earth thou art
Dear desire of every nation
That Jesus
is the longing of every nation is something we find in the OT, the NT, and in
the early church.
The OT:
Genesis 49:10 (in the LXX).
“A ruler shall not fail from Judah, nor a
prince from his loins, until there come the things stored up for him; and he is
the expectation of nations”
The NT: Acts
10:34; 17:23, 27.
“I now realize how true it is that God does
not show favoritism, but accepts men from every nation who fear him and do what
is right.”
“Now what you worship as something unknown I
am going to proclaim to you. God did
this so that men would seek him and perhaps reach out for him and find him,
though he is not far from each one of us.”
In the early
church: Jaroslav Pelikan, The Christian
Tradition:
"Virgil’s
Fourth Eclogue, written around 40 BC,
prophesied a golden age, the culmination of the centuries, in which a virgin
would return and a new offspring, bearing divine life, would descend from
heaven to earth to rule a world transformed by his father’s virtues. St. Augustine believed Virgil had been
inspired by the Holy Spirit to write such things, though perhaps
unknowingly."
Hope of all the earth thou art
Dear desire of every nation
- The Longing of every human heart
Joy of every longing heart . . .
Psalm 63:1
O God, you are my God,
Earnestly I seek for you;
My soul thirsts for you;
My body longs for you,
In a dry and weary land
Where there is no water.
Matthew
11:29-30
Come to me,
All you who are weary and burdened
And I will give you rest.
Take my yoke upon you and
Learn from me.
For I am gentle and humble in heart and
You will find rest for your souls.
For my yoke is easy
And my burden is light.
What does it
mean for you and for me today to long for Christ? What does it mean for you and me to say,
“Come”? Come where? Come why?
Come when? Come how?
My
encouragement to us today: that we would pray a prayer that welcomes the
Lord Jesus into a specific place in our lives. What does
your heart long for? What does it long
for earnestly and intensely? What does it long for faintly and wearily? Let us pray these longings, and trust that the Spirit will bear these in Christ before the Father.
Lord Jesus, come into this area of my life .
. . .
-
My thought
life
-
My emotional
life
-
My will
-
My speech
patterns
-
My physical
body
My
relationship with:
-
My spouse
-
My parents
-
My children
-
My siblings
-
My friends
-
My work
- My neighbors
The addictions that feed my false self:
-
food
-
sex
-
anger
-
jealousy
-
laziness
-
greed
Let us sing the Hymn together.
Benediction
Revelation
22:20-21
He
who testifies to these things says,
“Yes,
I am coming soon.”
Amen. Come, Lord Jesus.
The
grace of the Lord Jesus be with you today and in the week to come.
Comments
STUTTGART is a fine tune--we're using it in my church at this year's Lessons & Carols service--but it is perhaps a bit too triumphalistic due to its march-like character.
HYFRYDOL is more lyrical, but still too confident to convey the longing of Wesley's text.
For my money, BEACHSPRING is the tune that opens up this text. The first two tunes begin on a downbeat ("COME, thou") whereas this tune begins with pickups ("come thou LONG-expected"). Added to that, the downbeat is an appoggiatura (unresolved note), giving it even more of a feeling of yearning. This unresolved motif continues through the whole melody, supporting the text's "now and not yet" theme perfectly.
If you want to hear a recording of an arrangement of this text/tune, listen here. Things get more interesting in the 2nd and 3rd verses.
Now I'm going to go hear it.