|19th-century "Ecce-Homo" church fresco painting by Elias Garcia Martinez ruined DIY|
It appears that the coming year will be the year of the visual arts for me. I'm not sure exactly how I got roped in to these events, especially when I have received no formal training in the visual arts. But I can't seem to escape its orbital pull and I've decided that there's no point in trying to, because it's here to stay and I might as well make the best of it.
Here are the places I'll be over the next year and I'd love to see you there, especially if you're within a 6,000-mile radius.
1. "For the (Visual) Beauty of the Church." The Faith Seeking Understanding Lecture Series at Gordon College in conjunction with The Mockler Center for Faith and Ethics in the Workplace at Gordon-Conwell Seminary and CIVA co-host this event on September 22 in Boston, MA.
"Much of the great visual art in western history has both been inspired by Christian faith and formed Christian faith. Our Creator made things that were "pleasing to the eye," not just "good for" our mundane needs. Our Lord called attention to the gratuitous visual beauty of the lily. But in sad counterpoint, the church has often ignored, undervalued or even opposed the work of its creative artists. Pastors, ministry leaders, working artists, lovers of art, people of faith, connoisseurs as well as the merely curious: all are invited to a conversation to explore the place of the visual arts in the life of the church, both within its walls and outside its walls. Check out our spectacular presenters and tell your friends."
2. "Preaching in a Visual Age": a conference taking place November 1-3 in Los Angeles, California. A collaboration between the Lloyd John Ogilvie Institute of Preaching, the Brehm Center for Worship, Theology and the Arts, the Calvin Institute for Christian Worship, Christians In the Visual Arts and Ecclesia Hollwood, the conference will bring together speakers, music, art, and digital media in order to help paint a picture of what preaching the gospel needs to consider in a visual society.
|Paul Hobbs "Three in One" (2002)|
The title and description of my talk is this: "'Opus Oculi: On the Positive Role of the Eyes in Corporate Worship.' When Protestant Christians turn to a discussion of the visual aspect of the public worship space, they often revolve around two questions. What does the Bible say or not say about the visual aspect? And do I like it or do I not like it? Rarely do theological questions factor prominently. In this talk I wish to engage a double question of my own: 1) How might we think theologically about the nature of visuality and 2) What positive work does visual artwork perform in the public worship space?"
Fellow plenary speakers include Pete Docter (director of Monsters, Inc and Up), Bobette Buster (creative director for folks like Tony Scott, Larry Gelbart and Ray Stark), Bill Dyrness (author of Reformed Theology and Visual Culture: The Protestant Imagination from Calvin to Edwards), Ralph Winter (producer of X-Men movies and the early Star Trek films) and Betsy Halstead (maven of visual arts at the CICW), among others. I've included below the opening description of the conference, penned by organizer and fearless leader Mark Labberton. For all info, see here. Oh, and the inimitable Brian Moss will be there too, thank God.
To see the schedule, go here. To register, go here. Here is the fuller explanation of the event:
|Kim En Joong -- Windows and Interior Design of the Chapel of the Dominican Monastery in Louvain-La-Neuve in Belgium|
|Michail Schnitmann "Flugeln" (2008)|
|Albrecht Durer "Four Apostles" (1526)|
More information coming soon.
5. Finally, I'll be trying out a few new ideas on students at Duke Divinity School and will have an opportunity to speak to church communities along the way, for whom the consequences of the visual arts are far from theoretical. It'll be a good year and I have my reading cut out for me. One chapter of the dissertation has already been set apart to explore these topics. And my good wife is a wonderful visual artist, who will continue to teach me how to look and how to appreciate the visual arts.
All this to say: I better know more by the end of a year than I do now.